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Thursday, 6 November 2014

Princess Charlotte, Percy Shelley and High Treason in Derbyshire

A post by my husband Andrew Knowles inspired by our recent travels into Derbyshire.

Sometimes Regency history takes us by surprise. Only this week, I learned about a significant historical event that occurred during the Regency and my introduction was via a very modern road sign.

Road sign on entering Pentrich, Derbyshire
Road sign on entering Pentrich, Derbyshire
Driving through the small village of Pentrich, Derbyshire, I noticed that the village sign was topped with the phrase: "Revolution 1817." Perhaps you already know about the Pentrich Revolution. I didn't, and here is what I have since discovered.

"The mischiefs flowing from oppression"

Discontent was rife in England during the early nineteenth century. The Industrial Revolution brought unsettling change, the Corn Laws pushed up food prices, and what many considered to be unfair taxes put a huge burden on the working population. Many ordinary people, particularly in the Midlands, considered themselves to be oppressed. 

Political agitation for change took various forms. The Luddite movement attacked industrial machines between 1811 and 1813. Debating groups, known as Hampden clubs, sprang up across the country. There was a growing appetite for reform, particularly of the way the nation was governed.

Many wanted to bring about change without violence, but the government was fearful of the large crowds the agitators could muster. The Seditious Meetings Act of March 1817 banned assemblies of more than 50 people.

On a wall opposite the church in Pentrich
On a wall opposite the church in Pentrich
The plaque reads: "The revolution was plotted at
the White Horse Inn which stood near here."
"Their infernal agents"

In their enthusiasm to detect trouble, the government dispatched several spies. One of these, William Oliver, became involved with political meetings taking place at Pentrich (then often spelled Pentridge). It seems likely that Oliver went beyond his role as observer and actively encouraged the frustrated group to take direct action.

St Matthew's Church, Pentrich
St Matthew's Church, Pentrich
The plaque reads: "The curate hid rebels here
from the government troops."
On the evening of 9 June 1817, a group of several hundred men from around Pentrich gathered in a barn in nearby South Wingfield. Under the leadership of Jeremiah Brandreth, a 27 year old stockinger, they began marching towards Nottingham. It seems they believed a larger uprising would happen across the country, leading to political change.

As they marched, they sought to recruit others and in one encounter, Brandreth killed someone. But as the night wore on and rain soaked his band, their numbers decreased until by dawn, only a small group crossed into Nottinghamshire to face a detachment of the King's Hussars. Some were arrested, while others fled.

Pentrich plaque
The plaque states: "Near here was Widow Hepworth's
Farm where a servant was shot dead."
"That dreadful penalty"

Brandreth, along with Isaac Ludlam and William Turner, was found guilty of High Treason and were sentenced to be hung, drawn and quartered. This is apparently the last time this sentence was given but the Prince Regent showed 'clemency' by reducing the punishment to hanging followed by beheading.

Another 14 men were sentenced to transportation, from which none ever returned. A further six were imprisoned for up to two years.

"We pity the plumage, but forget the dying bird"

But what about Princess Charlotte and Percy Shelley, as referred to in the title of this post? How are they mixed up in the Pentrich Revolution of 1817?

Princess Charlotte, the only legitimate child of the Prince Regent (later George IV), died on 6 November 1817. Adored by the public, her death in childbirth provoked a huge outpouring of grief across the country.

Princess Charlotte by William Dawe (c1817)  at the National Portrait Gallery, London
Princess Charlotte by George Dawe (1817)
at the National Portrait Gallery, London
Brandreth, Ludlam and Turner were executed outside Derby Gaol on 7 November 1817, the day after Charlotte died. Their trial and execution for High Treason also attracted national attention.

The poet Percy Shelley made an emphatic connection between these two major events, articulated in his pamphlet "We pity the plumage, but forget the dying bird - an address to the people on the death of Princess Charlotte". (1)

"LIBERTY is dead"

"Mourn then People of England. Clothe yourselves in solemn black. Let the bells be tolled." A beautiful princess is dead, wrote Shelley, referring at once to both Princess Charlotte and to the notion of liberty.

Charlotte was "young, innocent and beautiful", and "the last and best of her race". Yet, said Shelley, "the accident of her birth neither made her life more virtuous nor her death more worthy of grief". He had no criticism to make of her, but sought to remind people that the deaths of Brandreth, Ludlam and Turner also provoked grief in those that knew them.

The funeral procession of Princess Charlotte at Windsor  from Memoirs of Her Late Royal Highness   Charlotte Augusta by Robert Huish (1818)
The funeral procession of Princess Charlotte at Windsor
from Memoirs of Her Late Royal Highness
 Charlotte Augusta by Robert Huish (1818)
"They had sons, and brothers, and sisters, and fathers, who loved them." Shelley was clearly upset by their execution: "Nothing is more horrible than that man should for any cause shed the life of man."

He goes on to explain how the government created an oppressive system, with the effect that "the day labourer gains no more now by working sixteen hours a day than he gained before by working eight." It is no surprise to Shelley that people want parliamentary reform and he attacks both the spies who provoked 'rebellion' and the government that dispatched them.

Percy Bysshe Shelley  by Amelia Curran (1819)  at the National Portrait Gallery, London
Percy Bysshe Shelley
by Amelia Curran (1819)
at the National Portrait Gallery, London
"It is a national calamity, that we endure men to rule over us, who sanction for whatever ends a conspiracy which is to arrive at its purpose through such a frightful pouring forth of human blood and agony."

"Our alternatives," he wrote, "are a despotism, a revolution, or reform." In that one sentence Shelley sums up the fears or hopes of so many ordinary people in 1817. It was these hopes that drove the men of Pentrich to commit what would become, in the eyes of the law, High Treason.

All this I have discovered, just because I spotted a word and a date on a road sign.

Notes
(1) The pamphlet is popularly referred to by this title, but the phrase "We pity the plumage, but forget the dying bird" was a motto and was probably never intended to be a part of the title of this pamphlet.
(2) All quotes are from "An Address to the People on The Death of the Princess Charlotte" by Percy Bysshe Shelley (1817).

Sources:
Huish, Robert, Memoirs of her late royal highness Charlotte Augusta (1818)
Shelley, Percy Bysshe, The Works of Percy Bysshe Shelley in Verse and Prose, edited by H. Buxton Forman (1880).
The Pentrich Revolution Trail
The Pentrich Rebellion website
The Percy Bysshe Shelley Resource Page

All photographs © Andrew Knowles - www.flickr.com/photos/dragontomato

4 comments:

  1. Fascinating! serendipity rules again...
    It was clemency; the acts of drawing were supposed to be done before the hanged person was dead, they were hung a little bit and revived before all the gory stuff. they were usually dead by the quartering.

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    1. How dreadful! I am a bit squeamish and had never considered what it actually meant. Thanks for the information.

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  2. Replies
    1. I'm so glad you enjoyed it. It is amazing what you spot around the country when your brain is geared into the Georgian period. Not your average road sign!

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